In a recent candid interview, Supreme McGriff Jr. opened up about his complicated relationship with the infamous rapper 50 Cent, particularly regarding his father’s alleged involvement in the shooting of the hip-hop star. McGriff Jr., now 28, reflects on his childhood fandom for 50 Cent, revealing that he was a dedicated admirer of the rapper’s music long before he understood the complexities of his father’s past.

Growing up in Queens, McGriff Jr. recalls being captivated by 50 Cent’s rise to fame, which began in the early 2000s. “I was a fan; how can you not be?” he stated, reminiscing about having posters of the rapper and wearing G-Unit merchandise. However, as he learned more about his father, Kenneth “Supreme” McGriff, and his alleged rivalry with 50 Cent, his admiration became conflicted. “Imagine finding out my dad is like his arch-nemesis,” he said, grappling with the reality that his childhood hero was also entangled in a feud with his father.

The rivalry between Supreme and 50 Cent is rooted in the music industry and their respective paths. According to McGriff Jr., the tension began when 50 Cent sought to work with his father, who was affiliated with rival artists. “50 was mad that my dad didn’t want to take him on as an artist,” he explained, suggesting that 50 Cent’s ambition to prove himself as a superior artist fueled the animosity. McGriff Jr. described the situation as 50 wanting to showcase his talent while also expressing frustration over being overlooked.

The conversation also veered into the murky waters of street credibility and alleged violence. McGriff Jr. addressed the rumors surrounding his father’s involvement in the 2000 shooting of 50 Cent. While acknowledging the speculation, he emphasized that much of it is based on hearsay. “I don’t really base anything that I do on gossip,” he noted, reiterating the importance of separating fact from speculation. He maintained that despite his father’s notorious reputation, he did not believe Kenneth McGriff was the type to order hits, suggesting a more diplomatic approach to handling conflicts in the street.

As the discussion unfolded, the topic of 50 Cent’s music and its impact on the narrative surrounding street life emerged. McGriff Jr. criticized the portrayal of his father in songs like “Ghetto Quaran,” stating that while 50 Cent was paying homage, it also brought negative attention to those who preferred to remain out of the spotlight. He acknowledged the inherent risk of naming individuals in songs, especially if they were not public figures, underscoring the fine line between artistic expression and personal privacy.

While McGriff Jr. expressed a level of respect for 50 Cent’s musical achievements, he clarified that his admiration for the rapper does not equate to personal loyalty, emphasizing that the conflict between their families remains separate from his appreciation for the music. “I don’t have a problem with listening,” he stated, highlighting the complexity of navigating personal relationships intertwined with public personas.

In closing, the interview sheds light on the intricate dynamics between family legacy, personal identity, and the world of hip-hop—a narrative that continues to evolve as both Supreme McGriff Jr. and 50 Cent forge their paths in a landscape colored by rivalry and respect. As the conversation around their histories unfolds, it serves as a reminder of the profound impact that personal connections can have within the realms of fame and legacy.