In a recent interview, Rainwater, manager and collaborator of the late rapper Mo3, made headlines with his controversial remarks regarding the current state of the rap industry and the recent legal troubles of fellow artist Yella Beezy, who has been charged with murder. Rainwater’s statements have ignited discussions about the ethics of utilizing tragic circumstances in the music business.

Rainwater began by reflecting on the competitive nature of the rap industry, asserting that he takes advantage of every opportunity that arises. He specifically mentioned the spike in popularity of his latest song, “Way in the Water,” which reportedly garnered over 200,000 views within just a day of Yella Beezy’s arrest. “I take advantage of everything,” he stated, suggesting that the dynamics of the industry often compel artists and managers to capitalize on ongoing events, regardless of their sensitivity.

The manager expressed frustration over the culture of the rap game, characterizing it as perilous and highlighting the rampant exploitation that can occur within the industry. He pointed out the harsh realities faced by artists, particularly those who do not secure proper management contracts. Rainwater noted that Mo3 had six different managers throughout his career, which complicated financial arrangements and revenue generation for his music. He claimed that while Mo3 recorded numerous songs, he himself never saw a significant profit from them.

Amidst this turmoil, Rainwater also discussed the aftermath of Mo3’s untimely death, indicating that his children are benefiting financially from their father’s legacy. He pointed out that Mo3’s music continues to generate income for his family, making them financially secure for life. This led to a broader commentary on the tragic losses in the industry, where lives are lost yet the music often thrives posthumously.

Rainwater’s comments did not go without criticism. Some observers questioned the ethics behind releasing new music in light of Yella Beezy’s legal woes, suggesting that it appeared opportunistic. Rainwater defended his position, emphasizing the need for artists to remain resilient and proactive, even when faced with adversity. “If you take everything away from me, I’m still going to shine,” he asserted, indicating that his drive stems from a need to succeed amid chaos.

The conversation also touched on the personal struggles faced by those in the industry, including familial tensions. Rainwater mentioned disputes with Mo3’s family regarding the management of his music and the narrative surrounding his death. He underscored the importance of preserving Mo3’s legacy while navigating the complexities of the music business, which can sometimes pit family members against industry insiders.

As the discussion unfolded, Rainwater made it clear that his intentions were not to exploit the tragedies of his peers but rather to highlight the harsh realities of the music industry. He suggested that many people mischaracterize his motivations, stating, “They give me too much credit.” Instead, he sees himself as a hustler striving to make the best of the circumstances presented to him.

In the wake of significant losses and ongoing controversies, Rainwater’s remarks serve as a stark reminder of the challenges within the rap industry, where talent, tragedy, and business often intertwine. The implications of his statements may resonate deeply within the community, prompting a reevaluation of how success and ethics coexist in a world where the line between opportunity and exploitation is perilously thin.