Exposing HIP HOP Was NOT CREATED In 1973 Nor By Jamaican & Puerto Rican INFLUENCE.. (News)

In a recent discussion surrounding the origins of hip-hop, a strong narrative has emerged that challenges the widely accepted date of the genre’s inception. Traditionally, August 11, 1973, is celebrated as hip-hop’s birthday, marking DJ Kool Herc’s legendary back-to-school party in the Bronx. However, voices from the community are now asserting that hip-hop has roots that extend much deeper into the early 1970s and even beyond, challenging the notion that Jamaican and Puerto Rican influences were solely responsible for its creation.

In a compelling video interview, various contributors to the hip-hop culture recount their experiences from the early 1970s. They suggest that the foundations of hip-hop were laid earlier than 1973, with vibrant street parties, improvisational rapping, and the burgeoning sound system culture already thriving. According to the speakers, the scene was active as early as 1971, with parties and music-making occurring long before Kool Herc became a pivotal figure.

DJ Kool Herc himself has been quoted in various interviews stating that he was merely a participant in a cultural movement that was already underway. He emphasized that the celebrations of hip-hop began well before his iconic party, with many young people engaging in the art of DJing and rapping without even labeling it as hip-hop at that time. This suggests that the genre’s roots may be more complex and multifaceted than a single date can encapsulate.

Moreover, the conversation highlights the significance of sound systems in New York City, which were influenced by Jamaican music traditions. While these systems played a vital role in shaping the sound of hip-hop, the assertion that hip-hop was solely created through Jamaican and Puerto Rican influence fails to acknowledge the contributions of African American culture. The artistic expression found in hip-hop is deeply intertwined with the broader experiences and innovations of Black communities across the United States.

As the discussion continues, it is clear that the narrative surrounding hip-hop’s origins is being re-evaluated. Many advocates within the community stress the importance of recognizing the diverse influences and contributors, emphasizing that hip-hop is not confined to a specific moment or group of people. Instead, it is a living, evolving culture that reflects a multitude of voices and histories.

This critical reassessment seeks to educate the public about the deeper historical context of hip-hop, aiming to correct misconceptions that have been perpetuated over the decades. The discourse is fueled by a desire to honor all those who have contributed to the art form, ensuring that the legacy of hip-hop is accurately represented and celebrated.

As hip-hop continues to evolve, the conversation about its origins serves as a reminder of the importance of understanding history in its full complexity. The genre, which has grown to encompass countless styles and influences worldwide, remains a testament to the innovative spirit of its creators and the communities from which it emerged. As more voices join the dialogue, it is hoped that a more inclusive narrative will emerge, one that honors the rich tapestry of experiences that have shaped hip-hop into what it is today.

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