In a candid interview, Texas-based manager Rainwater opened up about the ongoing impact of the late rapper Mo3’s tragic death and addressed various controversies surrounding the Dallas hip-hop scene. The interview, a deep dive into the cultural and emotional toll of recent events, revealed Rainwater’s personal struggles and reflections on the chaotic landscape of the DFW music community.
Rainwater began by acknowledging the mental strain he has felt since Mo3’s passing, describing how he had previously used partying and drugs as a coping mechanism. “For the last five years, I’ve been partying, kicking on drugs just so I won’t think about reality,” he admitted, reflecting on the pervasive sadness that has hung over the DFW area since Mo3’s death. He emphasized the need for change within the community, criticizing the glorification of violence and drama in hip-hop culture.
Much of the conversation revolved around the aftermath of Mo3’s murder, including the circumstances surrounding the infamous footage of the incident that had resurfaced. Rainwater discussed the intense scrutiny placed on the events of that day, particularly focusing on the gun that was in Mo3’s car at the time of his death. He vehemently denied claims that he or anyone else had removed the gun, stating, “Nobody took the gun out of the car. It was his baby mama who took it out.” He clarified that he had no access to Mo3’s vehicle and that the police currently have all related evidence.
The interview also touched upon the ongoing tensions between artists in the region, specifically mentioning the rivalry between Mo3 and fellow rapper Yella Beezy. Rainwater expressed regret over the way public narratives have shaped these conflicts, noting that outside influences often exacerbate existing issues. He revealed that he had previously attempted to mediate the situation but acknowledged the difficulty of navigating such a volatile environment.
As the discussion progressed, Rainwater reflected on his relationship with Charleston White, a controversial figure in the industry. He criticized White for fueling the drama and perpetuating narratives that can lead to real-life consequences. Rainwater stated, “You created that monster,” pointing to the responsibility that comes with having a platform and the impact of words spoken in interviews.
Despite the turmoil, Rainwater highlighted the resilience of the DFW music scene, expressing hope for emerging artists. He mentioned ongoing projects involving unreleased material from Mo3, emphasizing the late rapper’s prolific work ethic. “Mo3 has put out more projects and has streamed more than any other rapper in the history of hip-hop after being gone for five years,” he noted, underscoring the lasting legacy of the artist.
Rainwater concluded the interview with a call for unity and healing within the community, stressing the importance of channeling energy into positive endeavors rather than perpetuating cycles of violence. “We need to come together and make this a safer place,” he urged, reflecting on the heavy burdens carried by those in the industry and the broader implications for the youth looking up to these figures.
As the DFW area continues to grapple with its turbulent history and the loss of one of its brightest stars, Rainwater’s insights serve as a poignant reminder of the need for change, understanding, and a more supportive culture within the hip-hop community.
