Philadelphia hip-hop icon Gillie Da Kid unleashed a blistering, unfiltered response today to what he described as years of disrespect from fellow rapper Oschino, escalating a simmering feud into a full-scale war of words that has the entire State Property and Million Dollaz Worth of Game community buzzing. In an exclusive video that has already gone 𝓿𝒾𝓇𝒶𝓁, Gillie reacted to Oschino’s recent comments made on a podcast, where the former state property member took shots at both Gillie and his longtime partner Wallo, mocking their lifestyles, their success, and their very presence in the hip-hop game. Gillie, seated in what appeared to be a lavish home theater, made it crystal clear that he is not the target for idle chatter, and he delivered a masterclass in dominance that left little room for misinterpretation.
The tension erupted after Oschino made disparaging remarks about Gillie and Wallo, questioning their status and implying that their success was hollow. In the video transcript obtained by this station, Oschino’s words were laced with contempt, as he said, “Look at Gillie running around this big ass matique every time. He about to give me a job.
Me pulled up in the G-wag. Oh my god, a G Wagon. Look at this.”
The comments were dismissive, painting Gillie as someone desperate for validation. But Gillie’s response was anything but defensive. He met the attack head-on, with a calm yet ferocious energy that has become his signature.
Gillie opened his rebuttal by questioning the very nature of Oschino’s scorn, labeling it pure jealousy and a lack of perspective. He pointed out the absurdity of Oschino’s criticism, noting that the rapper’s own circumstances seem far less impressive than the life he is mocking. With a television showing a football game in the background and his grandchildren playing nearby, Gillie turned the tables and demanded to know what Oschino has truly achieved.
The video captures a man who is not rattled but rather amused by the desperation behind the attacks. He said, “What kind of bozo? The bozoism of it is just terrible,” setting the tone for a speech that would last for minutes.
The heart of Gillie’s message revolved around the concept of winners and losers, a dichotomy he feels is central to this feud. He argued that he is living in his own movie room, surrounded by family, while Oschino is stuck in a two-bedroom apartment, stewing over perceived slights. “I’m sitting in my movie room, bro, with my grandkids out here playing, man.
My grandson and my nephew out here playing. I’m 50 years old. You feel what I’m saying?”
Gillie said, his voice dripping with measured superiority. He contrasted his life of luxury and family time with the bitterness of someone who spends too much time online, criticizing others.
Gillie did not hold back in addressing the personal nature of Oschino’s attacks, which he feels are rooted in a deep-seated envy. He brought up Oschino’s obsession with not having his name said in public, a point that Oschino had raised in the original podcast. Gillie turned that into a weapon, suggesting that Oschino’s fixation on being acknowledged is a sign of a fragile ego.
“He’s in a two-bedroom apartment and he just won’t mad that you won’t say his name. That he just fearing that you won’t say all because of a tweeting tweet. So imagine if you walked past that in public and didn’t even speak.
That probably loses hairline dog,” Gillie said, mocking Oschino’s reaction to such a scenario.
The video also took aim at Oschino’s credibility within the State Property collective, which has been a defining part of both men’s careers. Gillie claimed that Oschino is not even wanted on stage with the group, a devastating blow that suggests deep fractures within the legendary hip-hop crew. “Yo, State Property don’t even want you on stage with them.
That’s how bad it is. Gil don’t want that on stage. They.
He was mad because Fedo was in a back,” Gillie said, referencing a specific incident that seems to have added fuel to the fire. This revelation could have major implications for the group’s future reunions and performances.
In a moment of introspection, Gillie recalled his teenage years in the 1990s, a different era where disputes were handled differently. He reminisced about a time when problems were solved without endless online beefs, but with direct action. “I was a teenager in the ‘90s.
Where if a had a problem, he do no talking. He alert the police. He got busy, man.
What we talking about, man?” This nostalgic reflection served as a critique of the current state of hip-hop culture, where 𝒹𝓇𝒶𝓂𝒶 is often played out on social media rather than in the streets or on records.
Gillie then issued a stark warning to Oschino, using a metaphor that has since been quoted across social media. “If a pop it on the gram, you know where else a pop it at? On that stand.
That’s right. What we talking about, man?” The reference to violence was clear, but Gillie quickly clarified that he is not looking for trouble.
He is simply pointing out that online talk has consequences, and that he is not someone to be trifled with. He emphasized that he is easy to find, listing his fleet of luxury cars, from an Eagle’s truck to a custom 1974 Corvette, and stated that he is not hiding from anyone.
The video included a moment of bonding with his grandchildren, where Gillie steps away from his soliloquy to interact with them, reinforcing his image as a family man who has moved past the petty rivalries of his youth. “I kick it with my grandkids. Say what’s up, Chase.
How’s it going, buddy? I’m getting kids ready for the league and stuff, man. I ain’t got time for that, man,” he said.
This humanizing touch added depth to his response, showing that his priorities have shifted, even as he remains ready to defend his legacy.
Gillie also addressed the broader issue of online commentary, arguing that people who are living productive lives do not have time to tear others down. “When you concentrate on a negative, you can’t how you going to end up with a positive? So come on, man.
Don’t talk about that ain’t them to talk about. You ever seen a sit around and talk about Raggedy Ronnie? Hell no.
Delaware Donnie? Huh? Jersey Joe.
Harlem Harry. You ain’t never heard nobody sit around talk about them all day, right? So you got to understand when I’m when you somebody to talk about, that’s what going to do,” he said, framing the attacks as a backhanded compliment.
In a particularly sharp moment, Gillie spoke about the difference between commentators and ballers, using an analogy to sports to drive his point home. “It’s two types of it’s the commentators and it’s the ballers. It’s the that’s balling and it’s the that said LeBron James just had a sensational dunk.
I ain’t never been a commentator. Ever. I never been a sitting around talking about what the what the ballers is doing.
Oh, he just had a reverse layup. It was sensational. I never wanted to be ball.
I wanted to be the actual in the game doing the play.” This line has already become a rallying cry for his supporters, who see him as a true player in the game, not just an observer.
The feud also touched on the involvement of other figures, including Spedo, who Gillie acknowledged with a note of appreciation for showing growth. He praised Spedo for moving past the beefing mentality, implying that Oschino would be wise to do the same. “Yo yo, shout out to Spedo, too, man.
Because Spato, I see he showed a lot of growth and I appreciate that, man. It’s like, yo, what you want to do? Stay beefing with forever?
Like they just be thinking stupid. Just stupid, man,” Gillie said.
Throughout the video, the production was notably raw, with music playing intermittently and the sound of children playing in the background, creating an intimate atmosphere that contrasted sharply with the aggression of the words. Gillie’s delivery was measured but powerful, a masterclass in how to respond to disrespect without losing dignity. The video concluded with a call to action for his fans, reminding them of the importance of staying positive and focused on their own lives.
The response from the hip-hop community has been immediate and divided. Some fans have rallied behind Gillie, praising his maturity and success, while others have called for a ceasefire, fearing that the feud could escalate beyond words. But Gillie made it clear that he welcomes the attention, telling Oschino to “keep talking” because it only brings more attention to his brand and his life.
“Any out there talking about me, keep talking. You think them 62 comments mean something? You think them 634 likes mean something?
Nah, kid. It’s 8. 95 billion mother on planet Earth.
You think you think them 63 comments meant something? Hell no,” he said.
As this story develops, one thing is certain: Gillie Da Kid has no intention of being dragged into a public back-and-forth with someone he views as a lesser light. He has positioned himself as a winner, and he is not about to let anyone, least of all Oschino, knock him off his throne. With his grandchildren playing around him and his wealth on full display, Gillie has sent a message that goes beyond this feud: he is living his best life, and all the negativity in the world cannot touch him.
The ball is now in Oschino’s court, and the world is watching to see how he responds.
