In a recent response to 50 Cent’s appearance on “The Breakfast Club,” music executive Wack 100 addressed the ongoing controversy surrounding claims made by rapper The Game regarding the song “What Up Gangsta.” During the interview, 50 Cent firmly denied The Game’s assertion that he contributed to the writing of the track featured on his iconic album, “Get Rich or Die Tryin’.”

Wack 100, known for his outspoken nature, challenged The Game’s credibility, stating that he was not even present during the creation of “What Up Gangsta,” which was released in 2003. He emphasized that The Game was not part of the scene until after the track had already been produced and released. “Come on, bro, he wasn’t even around when we did that,” Wack said, pointing out the timeline discrepancies in The Game’s claims.

The discussion gained traction as it coincided with the release of The Game’s latest album, “Drillmatic.” Wack 100 suggested that The Game’s recent remarks were an act of desperation, indicating a need for attention ahead of the new project. He remarked, “The fact that Game would even say something like that lets you know that them guys over there are acting real desperate.”

In a further examination of the rivalry between 50 Cent and The Game, Wack 100 recalled the significant impact The Game had on the G-Unit movement, suggesting that he was responsible for the group’s decline in popularity. He pointed out that during their peak, G-Unit was selling hundreds of thousands of albums, while The Game’s contributions led to a drastic drop in sales, illustrating the shift in dynamics within the industry.

Wack also addressed the notion of The Game seeking recognition for his past association with the Aftermath label, suggesting that his public antics and feuds have likely led to a disconnect from the label’s history. He speculated that The Game’s behavior might explain why he was not invited to significant events, such as the Super Bowl halftime show, and why a reunion with G-Unit seems unlikely.

As the feud continues to unfold, many fans are left questioning the authenticity of The Game’s claims regarding his involvement in classic tracks. Wack 100’s response serves as a reminder of the complex relationships and rivalries that have shaped the hip-hop landscape over the years. As the music industry watches closely, it will be interesting to see how this drama develops and whether The Game will further clarify his position in the ongoing narrative.

With tensions high and new music on the horizon, both artists are poised to make headlines, but as Wack 100 suggests, it is essential for The Game to reflect on his past actions and their impact on his current standing within the industry. The dialogue surrounding these claims highlights the ongoing complexities of fame, legacy, and the ever-evolving nature of the hip-hop genre.