Juvenile, the renowned hip-hop artist and former member of the Cash Money Records roster, recently shed light on the lucrative financial success of the label’s co-founder, Birdman. In a revealing segment from the Nation of Podcas Daily podcast, Juvenile disclosed that Birdman earns an estimated $20 to $30 million annually from the masters of songs associated with the Cash Money label.

Founded in the early 1990s by Birdman and his brother Slim, Cash Money Records became a significant force in the music industry, transforming local New Orleans artists into household names. The label is credited with launching the careers of prominent figures like Lil Wayne, Juvenile, Turk, BG, and producer Manny Fresh. In 1998, Cash Money secured a groundbreaking $30 million deal with Universal Music, a contract praised for its favorable terms, including 85% of revenue and ownership of their masters—a rarity in the industry.

Juvenile highlighted that Cash Money’s deal was superior to others at the time, notably outshining Master P’s 80/20 deal with No Limit Records. The artists had already achieved significant success independently, with gold albums selling over 500,000 copies each, translating to millions in revenue before signing with a major label. This strategic move allowed them to expand their reach from a regional base to a national and global audience.

In the podcast, Juvenile recounted the lengthy negotiations that led to the Universal deal, revealing that Cash Money executives remained steadfast in their demands, even when the label had the option to continue thriving independently. He noted that while Birdman and Slim did compensate him following the deal, there was a learning curve for everyone involved in understanding the complex music business.

Despite past rumors regarding financial disputes and allegations of mismanagement within Cash Money, Juvenile acknowledged Birdman’s efforts to rectify those issues. According to him, Birdman has since settled debts with several artists, including Lil Wayne, Turk, and Juvenile himself, and has made strides to mend relationships that were strained during the label’s earlier years.

Looking forward, the value of the Cash Money masters—encompassing seminal works such as Juvenile’s “400 Degreez” and Lil Wayne’s “The Carter” series—could be astronomical, potentially exceeding $2 billion. This positions Cash Money Records not only as a historical landmark in hip-hop but also as a financially savvy entity that may one day capitalize on its extensive catalog.

Juvenile’s reflections serve as a testament to the label’s impact on the music landscape and the importance of understanding the business side of the industry. As he concluded, the conversation opens the floor for fans and followers to ponder whether Cash Money Records stands as the greatest record label of all time. The discussions surrounding their legacy and Birdman’s ongoing profitability continue to resonate within the hip-hop community, highlighting the intricate dynamics of fame, finance, and the music business.